ONE MAN EXHIBITIONS
2011 Beat Keerl, Portraits in Flux, Utopia Gallery, Warwick, NY. July – August.
2007 High Watermark Salo(o)n, Portraits in Flux, Dance Performance,
Portrait of a Chair + Ladder Performance, Nov 10, 2007
1996 Beat Keerl, ZDF, German TV Network, New York, May – Aug.
1992 Bayat Keerl, Kornblatt Gallery, Washington D.C. Mar. 7 – Apr 4.
1991 Bayat Keerl, Graham Modern, New York, May 2 – Jun. 1
1991 The Swiss Institute, New York, April 30 -June 2
1990 B. R. Kornblatt Gallery, Washington D. C., Mar. 24 – Apr. 21.
1989 Bayat Keerl, Graham Modern Gallery, New York, Oct. 5 – Oct 28.
1988 Bayat Keerl: Paintings 1978-1988, B. R. Kornblatt Gallery.
1984 Peter Noser Galerie, Zurich, Switzerland, Jan. 10 – Feb.18.
1984 Lawrence Miller Gallery, New York, New York, Dec., Jan.
1982 Peter Noser Galerie, Zurich, Switzerland, June
1981 Martha White Gallery, Louisville, Kentucky, April.
1981 Bayat Keerl: Paintings, Alexander F. Milliken Inc., N.Y., N.Y.,
1980 Alexander F. Milliken Inc., N.Y., N.Y., Jan.
1978 Alexander F. Milliken Inc., N.Y., N.Y., Oct.
1976 Windham College, Putney, Vermont 1976 Tomasulo Gallery,
Union College, Union, N.J.
1972 Bayat Keerl, Douglass College Art Gallery, Rutgers University, New Brunswick, N.J.
2007 “Focus + Photo”, Robert Kidd Gallery, Birmingham, MI
2002 Bernhard Lüthi und Freunde
Schweizerisches Institut für Kunstwissenschaft
1997-98 “The Painted Photograph, Hand-colored Photography, 1839 to the Present
Univ of Wyoming Art Museum 2/8 – 5/25 1997
Boise Art museum 6-8/97
Doylestown, Pa. 2/98
Decordova Art Museum 5/98
1996 “How Far is Switzerland” Belluard Bollwerk International June 23- July 13
1996 “Group Show” Robert Kidd Gallery, Birmingham, Mich., Feb.
1995-96 the camera i, Photographic Self-Portraits,
Hara Museum, Tokyo, Nov. 2, 1995 – Jan. 21, 1996
Southeast Center for Contemporary Art, Winston/Salem, S.C. July/Oct.
Det Nationalhistoriske Mus. pa Frederiksborg, Denmark,Mar 2 – Jun. 4, 1995
Akron Art Museum, Nov 19 – Jan 15, 1995
1994 Los Angeles County Mus. of Art, Aug 11-Oct 23.
1995 “PHOTOING” Ochi Gallery, Sun Valley, Idaho, Sept.
1993 A GRAND TOUR, The Swiss Institute, New York, March 3-Apr 4
1990 The Early Years, 1977- 1982, Millken Gallery, NYC. Sept. 8- Oct. 3
1990 Personal-Mechanical, Photographs as support, Graham Modern,June-July
1990 Between Two Worlds, Credit Suisse, New York, Feb.
1989 The Hechinger Collection, National Building Museum,Washington D.C., Oct.
1989 Synthesis, Graham Modern Gallery, New York, Sept.
1988 Works on paper,paintings and prints, B.R. Kornblatt Gallery,Washington D.C. Feb. 13 – 27.
1988 Ten from Layton, Mil. Instit. of Art & Design, Milwaukee, Wis.,
1988 Black, Grey, & White, Henry Feiwel, New York, New York,
1987 exposed and Developed, Laurence Miller Gallery, New York, N.Y.
1986 Painted Picture, Midtown Art Gallery, Houston, Texas, March, curated by Andy Grundberg
1986 Rackschau/Vorschau 5 Jahre, Peter Noser Galerie, Zurich, July
1986 Gallery Selections, Cantor/Lemberg Gallery, Birmingham, Mich.,
1986 Grossformate, Peter Noser Galerie, Zurich, Switz., Jan. 15 -Mar 1.
1985 Basel Art Fair, Peter Noser Galerie, Zurich, Switzerland
1985 Perspective, Korean Cultural Service Gallery, New York, N.Y.,
1985 The Colored Image: Hand-Applied color in Photography,
Friends of Photography, Carmel, Cal., Oct. 18 – Dec. 1
1984 Maryland Art Place, Benefit, Baltimore, Maryland, Mar-April Trenton, New Jersey
1984 Basel Art Fair, Peter Noser Galerie, Basel, Switzerland
1984 Outdoor Living, The Red Studio, New York, N.Y., June-August
1984 Cologne Art Fair, Peter Noser Galerie, Cologne, Germany., Nov.
1984 New Realism, Robert Kidd & Assoc., Birmingham, Mich., Dec.
1983 Basel Art Fair, Peter Noser Galerie, Zurich, Switzerland
1983 Cover photo paintings, Cyndi Lauper, “She’s So Unusual” ,
1982 Rutgers, MFA 20th Anniversary Exhibition, New Jersey State Museum,
1982 Photo-Alchemy, Robert Freidus Gallery, New York, N.Y., Oct.
1981 Peter Noser Galerie, Zurich, Switzerland 1979 Alexander F. Milliken Inc., N.Y., N.Y.,
1979 A Collection of Contemporary Painting and Sculpture, Nabisco Inc.,
World Headquarters, East Hanover, New Jersey
1978 The Sorcerer’s Apprentice, Pace University, New York, N.Y.
1978 Alexander F. Milliken Inc., N.Y., N.Y. 1977 SOHO in Montauk, Montauk, New York
1977 New Talent, Thomas Segal Gallery, Boston, Mass. Dec.
1974 Watergate, Galerie Borjeson, Malmo, Sweden
1973 Whitney Museum Resources Center, New York, New York
1971 Phases in New Realism, The Lowe Art Museum, Coral Gables, Florida
Paintings in Films;
Director: Franc Reyes
“What’s The Worst Thing That Could Happen” 2001
Danny DeVito, and Martin Lawrence
director Sam Weisman
Tools as Art, Hechinger Collection, Abrams, by Pete Hamill, Plate 77, 1995.
A Common Thread in Photography, Reflex, October- November, 1995, Seattle, WA.
the camea i, Photographic Self-Portraits, La County Mus. of Arts, Abrams, Inc.
by Robert A. Sobieszek and Deborah Irmas, Plate 124, 1994.
Review/Photography, ‘Personal/Mechanical:Photographs as Support’
New York Times, July 20. 1990 by Andy Grundberg.
On Display, The Washington Times, April 5, 1990, Eric Gibson
Bayat Keerl, Artforum, December, 1988, Howard Risatti Galleries,
The Washington Post, Aug 27, 1988, Jo Ann Lewis.
Bayat Keerl, Mus. & Arts Washington, Sept/Oct. 1988, p. 31, p.109
Openings, Arts & Antiques, Sept. 1988 p.48.
Painted Photography: A Matter of fact or Fiction, Spot Magazine,
Houston Center for Photography, by Jill Kyle, Summer 1986.
Houston Foto Fest, Painted Pictures, by Andy Grundberg, 1986.
Perspective, Korean Cultural Service Gallery, Introduction by C.J. Cohen.
Photo\Alchemy, Photographic Process as Content, Introduction by Ann Sargent Wooster.
Bayat Keerl, Arts Magazine, Dec., 1981.
Bayat Keerl, Art/World, Oct.-Nov., 1981.
Art, Courier-Journal, Louisville, Kentucky, April 19, 1981.
The Ladders of Keerl, Artspeak, Vol. 1, #5, Jan. 31, 1980.
Bayat Keerl, Arts Magazine, October, 1978.
CORPORATE & MUSEUM COLLECTIONS
The American Express Company Collection, World Headquarters, New York
The Best & Co. Collection, Sidney and Frances Lewis.
The Collection of Baer Bank, Zurich, Switzerland
Hechinger Company, Landover, Maryland
The Los Angeles County Museum of Art
Orlando Museum of Art, Fl.
The Swiss Institute, New York
The Union Bank of Switzerland, Securities, New York.
The Jane Voorhees Zimmerli Art Museum, New Brunwick, N.J.
1987 National Endowment For The Arts
1981 National Endowment For The Arts
Ark Art Works – Production of Art / Prints 1992 – to the present
Designer – Etensity.com – 2000-2001
Beat Production – Web Design NYC – Began 1990
Computer Consultant to the Arts 1986-90
Manager – Andre Emmerich Gallery 41 East 57th St. 1979 – 1985
Manager – Andre Emmerich Gallery 420 West Broadway 1973 – 1978